Reviews

"A terrifically entertaining
romantic comedy"

- Variety

"The highlight of the movie is unquestionably Karyn Dwyer's performance as Maggie. She brings a sexy intelligence to the role of a floating 19 year old trying to find a place to land, that keeps us rooting for her...It may very well be that Better Than Chocolate will be remembered as the film that kick starts her career." - Chicago Tribune
	"Karyn Dwyer, in particular, nails her Felicity Takes a Walk on the Wild Side role with a charming turn as an earnest, big-hearted girl for whom no good intention goes unpunished." - The Austin Chronicle
"Capably serving as the film's heart and soul is Karyn Dwyer, a fresh faced 19 year old. (Dwyer is) terrific, lending the goings on a heated, poignant credibility." - Hollywood Reporter	Karyn Dwyer and Christina Cox couldn't be a more appealing couple, even as their relationship waxes and wanes in the wake of Maggie's unsuspecting mom, and in spite of its periodic, prefabricated conflicts (enter skinheads, stage right) this is a smart, cheerful, movie that's hard not to like. A festival circuit favorite through the first half of this year." - SPLICEDWire - Rob Blackwelder
"Maggie (Karyn Dwyer), with her luscious, curly, reddish-brown hair and her all-American girl looks, would be a catch for anybody." Steve.Rhodes@InternetReviews.com
	"Karyn Dwyer is wonderful as Maggie, from the nervousness in her new relationship to her creativity and sense of humour as she grows stronger throughout the course of the film." -Sac Francisco Times
"Every performance is a nuanced gem, with Karyn Dwyer's perky lovestruck redhead and Christina Cox's sexy partner providing the emotional center (along with a few steamy interludes entailing bodypainting as foreplay and a restroom encounter)." - Syracuse New Times	"...[The film] brims over with good humor and high spirits and has some moments of stunning yet tasteful eroticism. Karyn Dwyer and Christina Cox are charmers, and that's also the case with BETTER THAN CHOCOLATE..." - Los Angeles Times - Kevin Thomas Copyright CultureDose.net
	"...Few lesbian love stories have been so romantic; even fewer have conveyed such joy of sex..." - Entertainment Weekly - Michael Sauter
"Karyn Dwyer certainly has the ability to light up a scene." -ReelViews James Bernardinelli
"...Charming... The cast is uniformly good..." - Box Office - Mike Kerrigan	"Vivacious Vancouver baby dyke Maggie (Karyn Dwyer), in a vividly animated performance "Clean Sheets -Gary Meyer
"Sweet, tart and all-around up-to-date in a refreshingly polysexual way, Better Than Chocolate may turn out to be that crossover hit both gay and Canadian audiences in general have been waiting for." - Eye Weekly	"...[An] extremely good-hearted comedy... A comic rhapsody to romantic love..." - New York Times - Stephen Holden
	"...Better than Chocolate has everything: a very attractive cast, a diverse score, numerous subplots and a setting in Vancouver in the summertime. Much of it takes place on the waterfront illuminated with golden light from the harbor..." "Disliking this movie would be like disliking chocolate." - InternetReviews.com - Richard von Busack

Better Than Chocolate

Starring: Karyn Dwyer With Christina Cox and Wendy Crewson

Better Than Chocolate is a sexy romp of love and lust with surprising results. Maggie (Karyn Dwyer) meets the woman of her dreams just hours before her neurotic mother and brother unexpectedly move in with her. Maggie is exploring her newfound freedom after dropping out of college to become a writer. She works by day at a lesbian bookstore and dances by night at a lively, local girls-- club. Maggie is afraid to come out to her mother but ultimately it is Maggie's clandestine romance that inadvertently introduces her family to a host of new experiences, all of which are potentially better than chocolate! With its playful eroticism and provocative humor, Better than Chocolate has won over film festival audiences worldwide. The film premiered at The Berlin Film Festival before screening at the Seattle International Film Festival and many gay and lesbian film festivals. It has won the Millivres Multimedia Audience Award for Most Popular Film at the 1999 London Gay and Lesbian Film Festival and was the winner of the Best Feature Film Audience Award at Inside Out, the 1999 Toronto Lesbian and Gay Film Festival.

"Actress Karyn Dwyer does a good job as the woman on the brink of insanity." Film Threat on "Dying Like Ophelia

"What shines best (no pun intended) is shoe shiner Karyn Dwyer. She has all the characteristics of the typical working class stiff with a likeable honesty."

Film Threat n "Polished"

"Dwyer shows a nimble, humorous intelligence. "

Toronto Star Geoff Chapman review of "The Rover"

Karyn Dwyer as Speed -What a perfect pantomime principle boy! CBC Morning Show Dennis Ferry review of "Two Gentlemen of Verona"

"A passion and conviction that persists in the audience's conscience long after the stage is dark and hall doors are closed." Evening Telegram John Holmes review of Addict

Pasha McKenley and Karyn Dwyer star in the paradoxically whimsical 'Suffragette Koans.' (Variety)	“Karyn Dwyer exhibits energetic charm as Cecily." (Tolocan Times)
"…a magical little piece of theatre in which five Victorian ladies take the form by the, er, private parts and pose their thoughts to the universe to create an absolutely delightful meditation… director Joyce Piven, whose gentle yet sure hand guides an ensemble of appealing actors who seem completely at home with this loose-limbed material. Investing it with a physicality and free-willed theatricality, the company is sharp and funny and, in investigating what goes on under those lacy, beribboned bloomers, enormously sexy." (Backstage West)	"Karyn Dwyer is guileless and wry" (LA Times)
	"Raphael has a delicacy of delivery burnished with sly wit..... Dwyer is equally good as the adventurous Cecily, catching up on all the fun she can. " (Variety)
“Carson’s ladies aren't the usual wan submissives that we've come to expect from that era. Rather, they're bursting with life, lust and questions.” (L.A. Weekly)
"Described by Carson as a `a ladylike black comedy', the text is as slight as the Zen story form it emulates and as layered as the Victorian-era underwear sported by director Joyce Piven's accomplished cast." (L.A. Times)	"Joyce Piven's direction of this American premiere, is graceful and intelligent, and she benefits from a clearly talented ensemble." (Variety)

Critical Acclaim